Ringlets

Yampy Promotions presents Ringlets + guests.

Ragingly bright post-punk quartet Ringlets emerged from Aotearoa’s musical ether in 2021; carving out space with their distinct blend of delicate wit, grit and evident sonic technicality. With a highly durable, machine-tested rhythm section and two of Auckland’s leading lyrical & melodic consultants, Ringlets have been fast-building a solid reputation.

Catching the eye of former Pitchfork editor Chris Ott, Autumn 2023 saw the band release their eponymous debut under Ott’s label Mutual Skies. Produced by De Stevens (Office Dog, Erny Belle) and the band themselves, the 10-track album is a sporadic and riotous introduction to this exciting musical offering.

Cut to the year 2025, and few post-punk records from Aotearoa would have been more anticipated this year than the band’s sophomore offering The Lord Is My German Shepherd (Time for Walkies), which saw the four-piece return to The Lab with Olly Harmer and usher in Michael Logie (The Mint Chicks) to produce alongside. Mixed later at Abbey Road Studios by Isaac Keating, the result is a collection of songs more cohesive and controlled – yet constantly changing and re-composing itself, totally deserving of the ‘Flying Nun Records’ alumni position it’s earned them.

With their first Australian tour culminating in 8 sold-out shows, an appearance at BIGSOUND Festival in Brisbane, and a stacked lineup of summer festival appearances coming up – Rhythm & Vines, Twisted Frequency, Laneway Festival – Ringlets are continuing to quietly climb the ranks of Aotearoa’s Alternative with their penchant for punk and off-the-leash expression.

“Incredible band” – Deb Grant, BBC Radio 6

“Ringlets are the most exciting post-bunk band to emerge from the New Zealand music scene in years.” – Conor Lochrie, Rolling Stone Magazine ANZ

“This is the sort of music we should be making and celebrating. Go on Bandcamp and buy it. Tell radio stations to play it. Ask Ringlets to go on tour and go see them.” – Muzic.net.nz

Support provided by George Dillon.