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ULRIKA SPACEK + NONSUCH + MUTES
This Is Tmrw present:
ULRIKA SPACEK+ NONSUCH + MUTES
“A living room doesn’t give much natural reverb, and it’s not in our interest to artificially construct it”
Ulrika Spacek return on June 2nd with the release of their second album, Modern English Decoration. Much like their debut album released in early 2016, the band chose to record, produce and mix the entirety of the record in their shared house – a former art gallery called ‘KEN’, so named because of a cryptic inscription found above the front door. Not just a studio and home, KEN is essentially the band’s hub, a space in which the surrounding ephemera of videos, artwork and even band photos are all created.
The relatively short amount of time between their first and second albums is testament to the band’s self-contained creative environment and the productivity it encourages. There’s a tendency to label this degree of self-reliant creativity ‘DIY’ – and the band do certainly feel emboldened by that ethos – yet to consider Modern English Decoration solely in these terms is a disservice. Their craft is considered and purposeful, the means of its production reflecting the band’s overall vision rather than the value system of an often haphazard and accidental DIY culture. “We enjoy listening to music through the album format and want our records to reflect that”, says Rhys Edwards (guitars, vocals, synthesiser). “Though we may explore this in the future, our records are not ‘jam’ records. We’re fans of collage based art, and create music in the same way”.
“One of the best albums to come our way of late, the London-based five-piece galvanise with aerial melodies and twinned-voice harmonies wed to guitars that either bristle with distortion or ring in clanging chimes.” – The Quietus